1960s Horror Film

 A young zombie and her victim, her father, from Night of the Living Dead (1968)

In the 1960s the genre received a notable enlivening by the addition of three important sub-genres: the horror of personality, the horror of Armageddon, and the horror of the demonic, as observed by Charles Derry. Other analysts used terms such as "psychological horror", with less precision. Films of this time seemed to cross lines between horror and thriller conventions, with an especially notable example in Alfred Hitchcock's Psycho (1960). For the first time in Psycho, the object of horror does not look like a monstrous or supernatural other, but rather a normal human being.

Other seminal examples include Peeping Tom (Michael Powell, 1960), Homicidal (William Castle, 1961), What Ever Happened to Baby Jane (Robert Aldrich, 1962), Hush, Hush, Sweet Charlotte (Robert Aldrich, 1964), Pretty Poison (Noel Black, 1968), and The Collector (William Wyler, 1965). Films of the horror-of-personality sub-genre continue to appear through the turn of the century, with 1991's The Silence of the Lambs a noteworthy example. Some of these films further blur the distinction between horror film and crime or thriller genre.


 
 


Ghosts and monsters still remained popular, but many films that still relied on supernatural monsters expressed a horror of the demonic. The Innocents (Jack Clayton, 1961) and The Haunting (Robert Wise, 1963) were two such horror-of-the-demonic films from the early 1960s, with high production values and gothic atmosphere.

Perhaps the most recognizable milestone of the sub-genre remains Rosemary's Baby (Roman Polanski, 1968), in which the devil is made flesh.
Hitchcock's The Birds (1963) had a more modern backdrop; it was a prime example of a menace stemming from nature gone mad and one of the first American examples of the horror-of-Armageddon sub-genre. One of the most influential horror films of the late 1960s was George Romero's Night of the Living Dead (1968).

This horror-of-Armageddon film about zombies was later deemed "culturally, historically or aesthetically significant" enough to be preserved by the United States National Film Registry. Blending psychological insights with gore, it moved the genre even further away from the gothic horror trends of earlier eras and brought horror into everyday life.

Low-budget gore-shock films from the likes of Herschell Gordon Lewis also appeared. Examples included 1963's Blood Feast and 1964's Two Thousand Maniacs , which featured splattering blood and bodily dismemberment.

13 Ghosts is a 1960 horror film directed by William Castle and written by Robb White. To the dismay of some of the cast members, Castle gave top billing to 12-year-old Charles Herbert.

 
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